Rachel
is a "soon-to-be-homeless alcoholic" who exists on the periphery of
life since her divorce. She pines for and stalks Tom, who lives with his new
family in the house he and Rachel used to share. Every day, Rachel rides a
train past her old neighborhood, snatching a momentary glimpse into other
lives. From this vantage point, she fixates on one couple she often sees,
idolizing them: "They're what I lost, they're everything I want to
be."
One day, as the train passes the house, Rachel spies the woman kissing a strange man in her backyard. This discovery shatters Rachel's illusions about the "happy" couple, so she binge drinks to the point of blacking out. The following day, when the news reports the woman is missing, Rachel vaguely recalls having exited the train in her old neighborhood that night and subsequently convinces herself that she may be involved. Unfortunately, Rachel can't remember much else--including where and how she received cuts on her hand. Determined to reconstruct the night in question and solve the mystery, she soon becomes entangled in the police investigation.
Paula Hawkins fashions The Girl on the Train from a staggered timeline and three female narrators. Rachel is the anchor, though she's not always understandable or trustworthy; Hawkins fills in the missing pieces via flashbacks and passages narrated by the missing woman and Rachel's ex's new wife. En route to a terrorizing, twisted conclusion, all three women--and the men with whom they share their lives--are forced to dismantle their delusions about others and themselves, their choices and their respective relationships.
One day, as the train passes the house, Rachel spies the woman kissing a strange man in her backyard. This discovery shatters Rachel's illusions about the "happy" couple, so she binge drinks to the point of blacking out. The following day, when the news reports the woman is missing, Rachel vaguely recalls having exited the train in her old neighborhood that night and subsequently convinces herself that she may be involved. Unfortunately, Rachel can't remember much else--including where and how she received cuts on her hand. Determined to reconstruct the night in question and solve the mystery, she soon becomes entangled in the police investigation.
Paula Hawkins fashions The Girl on the Train from a staggered timeline and three female narrators. Rachel is the anchor, though she's not always understandable or trustworthy; Hawkins fills in the missing pieces via flashbacks and passages narrated by the missing woman and Rachel's ex's new wife. En route to a terrorizing, twisted conclusion, all three women--and the men with whom they share their lives--are forced to dismantle their delusions about others and themselves, their choices and their respective relationships.
Publication Date: January
13, 2015
Note: This review is a
reprint and is being posted (in a slightly different form) with the permission
of Shelf
Awareness. To read this review on Shelf
Awareness: Reader's Edition (1/13/15),
click HERE
This review was also featured (in a longer form) on Shelf
Awareness: Book Trade (1/5/15). To read the longer review
click HERE
