Tuesday, September 25, 2018

Mr. Gandy's Grand Tour

A washed-up, middle-aged British man sets off on a tour of Europe that changes him in unexpected, profound ways.
When Timothy Gandy's job as a graphic designer is made redundant, the 55-year-old Brit discovers that he's too old to find a new job and too young to retire. Taking stock, he realizes he's invisible in the shadow of his domineering wife--a woman involved with social and philanthropic causes, and to whom he's been married for 40 years. And he doesn't always see eye-to-eye with his adult children. Son Oliver is a successful barrister. He and his wife are highfalutin, materialistic intellectuals. Middle daughter Alice is single, a distant and reclusive librarian. However, good-natured Rosie, a schoolteacher, shares a bond with her father. She understands him. She and her conservationist, naturalist beau struggle to make ends meet, while happily raising their daughter together. 
The sting of unemployment followed by a shattering personal loss convinces Timothy to follow his long-repressed yearnings for travel. Despite staunch objections from his family--all except Rosie--he finally asserts himself. He sets off on a grand tour of Europe modeled in the style of those taken by young men of means in the late 18th century. Timothy leaves his Chichester, England, home and begins an exciting journey that takes him through France and Italy, where he makes unexpected new friends that change him and his outlook on life. 
Noted gardening guru Alan Titchmarsh (Bring Me Home) plants seeds of hope in another wholesome, richly entertaining story. Readers will be eager to accompany his sensitive, winning protagonist through an itinerary of many adventures.

Mr. Gandy's Grand Tour by Alan Titchmarsh

Hodder & Stoughton, $26.99 Hardcover,  9780340953075, 320  pages

Publication Date: April 24, 2018

To order this book on INDIEBOUND, link HERE

NOTE: This review is a reprint and is being posted with the permission of Shelf Awareness. To read this review on Shelf Awareness: Reader's Edition (May 22, 2018), link HERE

Tuesday, September 11, 2018

Rachel Kushner: Writing That Grows Out of Living

The Writer's Life

Rachel Kushner's novels The Flamethrowers and Telex from Cuba were both finalists for the National Book
Author Photo by Chloe Aftel
Award. Her fiction has appeared in the
New Yorker, Harper's and the Paris Review. Kushner's new novel, The Mars Room (Scribner; reviewed below), centers on the harrowing life of a young mother serving two consecutive life sentences in a California prison.

Why set the book in San Francisco?
Partly because I am from there. The main character, Romy Hall, is from the Sunset, the San Francisco neighborhood where I grew up. It's not a bad neighborhood at all, and yet it was a rather gritty adolescence there. When I meet book-learned people now, they always tell me they went to some fancy private school in San Francisco, and the conversation stops there, because we are basically not from the same city. Where I am from is very specific, a time and a place, and no one who didn't experience it might ever understand, which was my challenge: trying to transmute that experience, my knowledge of it, into literature.

Do you live in California now?
In Los Angeles, half a mile from the city jail complex and the criminal courts.

Did this proximity inspire the book?
Most of those who fill the state prisons in California come from metropolitan L.A. and the surrounding counties (Riverside, San Bernardino). Like many writers, I'm interested in other people and in the world around me, and that world, here in California, unfortunately includes a massive carceral system.

Your descriptions of prison life are richly detailed. How did you research the novel?
I'm sort of opposed to the concept of research, because I consider my process more organic. I live in a certain way, and my writing comes out of that. In 2012, I decided to try to learn everything I could about the criminal justice system in California, to understand the deeper layers of the carceral net, the penal zone of the world, which can very often be invisible to middle-class people, and can entirely dominate the lives of poor people. I went "under cover" on an extensive tour of state prisons in California (mostly men's) with criminology students who were effectively being wooed for jobs with the California Department of Corrections. The context meant that guards, prison litigators and public information officers spoke to us as if we were "of their own kind," and thus, I was able to see quite a bit into the mentality of the people who work at the prison, at all levels.

How much access were you granted?
I was allowed to roam prison yards, even maximum security yards, and to talk to people who were serving long, mostly life, sentences. I got to go in their cells, see the so-called "mental health" facilities, the so-called job training, the education programs, so-called, the prison industries like license plate stamping and registration sticker printing. Separately, I became involved, as a volunteer, with a nonprofit organization called Justice Now, which advocates against human rights violations in the women's prisons in California, and whose leadership is partly made up of people serving life sentences. I learned a great deal from the people I met inside who are involved with Justice Now and developed friendships with many lifers that way.

This exposure must have been helpful in creating the psyche of the main character and her difficult life.
It took me a long time to create Romy. I needed to be able to inhabit her fully, and I kept coming up against the irrefutable facts of my own circumstance: I have middle-class resources and would never go to prison, I probably wouldn't even go to jail.... If I did run into trouble, like if I just lost it and did something crazy, I have high-powered lawyer friends who would get me off. That's how it works.

What a leap, then, for you fully to envision her predicament.
I thought and thought into this, and eventually, I invented a girl who was with us growing up in San Francisco, among the girls I knew--I mean most of the people I knew, whose lives didn't turn out like mine, who had parents who struggled with poverty and addictions and who themselves nursed nihilist streaks. I had resisted that because I didn't really want to revisit anything from my own youth, but it rose up and demanded to be dealt with. And suddenly everything made sense about Romy--her past and future.

You divvy out the details of Romy's experiences with great suspense.
The creation of a narrator's tone has to be done delicately, factoring in the way people don't present information about their lives all at once. In fact, prison is not a place that leaves a lot of room to think into the worst thing you've ever done. The idea of a convicted person's remorse and pain and anguish over an irreversible act they themselves have committed, as I understand these things, isn't quite what a middle-class person imagines. Because you have to be closed up and hard in prison, there is no privacy, there's a lot of hostility and dysfunction, and people are trying to survive on a day-by-day basis. So it seemed natural enough that certain elements of Romy's old life--her memories, her regrets and some type of "account" of what happened that resulted in her life sentence--should leak out in parts.

How did the rest of the story, as a whole, take shape?
I wrote the book in parts. The book that resulted was from many years of my ruminating on what I saw, felt, thought, have learned and also read. Dostoyevsky was a help to me on some level, as was Nietzsche. The Doc character, the rogue cop, was the easiest and most fully formed right away. Honestly, he really wrote himself, in all his dirty outrageousness. The main character, Romy, was more challenging. It took me two years to write the first long chapter of the book, her bus ride on "chain night," when women are hauled up highway 99 to the Central Valley, because it had to have all of the foundational elements of her narrative, her tone, her cadence in it, her predicament. I had to push myself into certain corners to figure that out.

Your writing has been described as "persuasive" and "moving." What will readers take away from The Mars Room?
I write to please myself or grapple with my own unanswerable questions. In terms of what people take away, I can't claim to have a project in mind for the readers of my book, but if this book were to change the way someone thinks about, say, our society and how it's structured, about life, about class, race, America, women, poverty, dirty jokes, bad cops, all cops, literature, good, evil, God, violence, highways, dead ends, or justice--well, that would be just fine. 

This interview is a reprint and is being posted with the permission of Shelf Awareness. To read this Q&A on Shelf Awareness for Readers (May 18, 2018), link HERE 

The Mars Room

A gritty, authentic fictional account of a 29-year-old mother serving two consecutive life sentences at a Women's Correctional Facility.
Rachel Kushner (The Flamethrowers) paints a dark and gritty picture of the U.S. prison system and the larger, contemporary world in her provocative novel, The Mars Room. The action is set at the fictional Stanville Women's Correctional Facility, in the remote Central Valley of California. A diverse cast of inmates--hardscrabble women who formerly lived on the margins of society, suffering from poverty, abuse, neglect, drug addiction and sex exploitation--are forced to adapt and make a life inside prison walls. 
The central protagonist is Romy Leslie Hall, a 29-year-old inmate and former lap dancer at the Mars Room, a notorious, seedy strip club in San Francisco. Romy is serving two consecutive life sentences for murdering a man who relentlessly stalked her. 
Romy--bright and well-read, despite having grown up in unseemly conditions--has a young son, Jackson, who becomes entangled in the child welfare bureaucracy. Although prison separates Romy from Jackson for four long years--and she is ultimately stripped of her rights to find him--her desperate longing and love for him endures. She goes to great lengths to learn more about his status and track him down.
Romy's tragic, hard-luck story is one of many explored in a complex novel that keeps readers off-balance yet fully immersed. Supporting characters and their sordid proclivities and recidivism--along with subplots about an incarcerated dirty cop and a sensitive teacher at the prison--provide an unflinching look at brutality and power plays within the perimeters of razor wire--and beyond. 

The Mars Room: A Novel by Rachel Kushner
Scribner, $27.00 Hardcover,  9781476756554, 352 pages
Publication Date: May 1, 2018
To order this book on INDIEBOUND, link HERE

NOTE: This review is a reprint and is being posted with the permission of Shelf Awareness. To read this review on Shelf Awareness: Reader's Edition (May 18, 2018), link HERE