The Unexpected Consequences of Love

Romantic entanglements are Jill Mansell's specialty, and in The Unexpected Consequences of Love, she cleverly snares knots into several interwoven story threads spun from St. Carys, a seaside town in Cornwall, UK.

The main storyline focuses on commercial photographer, Sophie Wells, a young woman who plies her craft in earnest in order to put a painful romantic past behind her. When Josh Strachan moves back to town after a stint as a Los Angeles, Ca. talent agent to help his grandmother, Dot, run Mariscombe House, the family hotel, he is instantly smitten with Sophie, who is doing a photo shoot at the inn. Having sworn off romance, Sophie doesn't look twice at Josh. This only encourages him to work harder to win Sophie's affections—and solve the mystery about her past.

Amid Josh's pursuit, Sophie's free-spirited best friend, Tula, loses her job and moves to St. Carys. When Tula arrives, she is instantly attracted to Josh, but another man from town, Riley--a ne'er do well and flirt--has eyes for Tula. What will it take for Riley to turn Tula's head? Things grow even more complicated when Tula lands a job at Mariscombe House.

Mansell has written another lively, engaging romance where an ensemble of characters--including Grandma Dot--have had their hearts wounded by the past and secrets. Each member of the cast is faced with hang-ups and heartbreaks and the conflicts inherent in the prospect of loving again. Amid obstacles that challenge happy endings, Mansell braids in poignancy, humor and unexpected grace.
 
The Unexpected Consequences of Love by Jill Mansell
Sourcebooks Landmark, $14.00 Paperback, 9781492602088, 432 pp
Publication Date: February 3, 2015
To order this book via INDIEBOUND link HERE

Note: This review is a reprint and is being posted (in a slightly different form) with the permission of Shelf Awareness. To read this review on Shelf Awareness: Reader's Edition (2/10/15), link HERE

Two

"I've always been interested in watching people together. I wonder what their story is, who they are to each other," explains photographer Melissa Ann Pinney in Two, a collection of more than 90 color images that focus on pairs of people and objects, accompanied by 10 essays by notable contemporary writers.

In this group of vivid, often mystical and playful images, Pinney explores connection, identity and relationships. There is a candid aesthetic to her work. Even her posed photographs grant viewers a glimpse into lives-in-action: a couple's embrace; a tender moment between mother and child; two nested teacups; a girl and her obedient dog; two barefoot, suspender-wearing Amish men staring into a placid sea; an elderly man having his hair done poolside.

The accompanying essays, which delve into the nature of pairs and twosomes, make the book even more compelling. Edwidge Danticat writes about having her feet washed by a stranger in church. Barbara Kingsolver expresses her feelings of being left out of the "charmed Romeo-Julietness" of her parents' marriage. Maile Meloy explores, with awe, the 70-year bond between her grandparents. Allan Gurganus considers the possibility of vanishing twin syndrome, and Elizabeth McCracken writes about her mother's enduring bond with her fraternal twin.

In the moving, eloquent opening essay, Ann Patchett notes that writers and photographers share a similar drive to exist "alone and in the world" in order to create their art. That concept makes Patchett and Pinney's collaborative exploration into the "the power of two" all the more thought-provoking.

Two by Melissa Ann Pinney

Harper Design, $29.99 Hardcover, 9780062334428, 208 pp

Publication Date: April 14, 2015

To order via INDIEBOUND link HERE

Note: This review is a reprint and is being posted (in a slightly different form) with the permission of Shelf Awareness. To read this review on Shelf Awareness: Reader's Edition (5/1/15), click HERE 

This review was also featured (in a longer form) on Shelf Awareness: Book Trade (12/18/15). To read the longer review click HERE

Italian-American Pilgrims

From My Shelf

In my novella Cold Comfort, a workaholic photojournalist returns to an Italian-American enclave in Rhode Island to spend Thanksgiving with her only remaining relative, a hip 96-year-old aunt who texts and blogs. Challenged by a blizzard and a blackout, the aunt is intent on serving the family's traditionally Italian, seven-course Thanksgiving feast when a character off-handedly remarks, "Maybe your aunt thinks the pilgrims were Italian?"

With Italians, it's always about the food. But Italian-American culture has brought more to the American table than just culinary prowess. Their immigrant influence has distinctly touched all the arts--especially the literary landscape heralded by Gay Talese, Francine Prose, Mario Puzo and Adriana Trigiani.

Joseph Luzzi launches My Two Italies, his deeply personal Italian-American memoir, with a story about how, as a boy, a beloved aunt arrived at his house one morning and gave him a pet rabbit that, hours later, wound up served on the family dinner table. This is just the beginning of Luzzi's historical examination of the contradictions imbued in Italian culture both in the U.S. and abroad.

In All This Talk of Love, novelist Christopher Castellani lovingly explores the hopes, wishes and dreams of the Grasso family, Italian-American immigrants and their offspring, who, in this last book in a sweeping trilogy, must cope with their roots, the price of sacrifice and loss, myths and memories.

Italian-American writer Ann Hood chronicles a strongly feminine point-of-view in her novel An Italian Wife, a multi-generational saga centered on Josephine Rimaldi, a young woman who journeys from Italy for an arranged marriage and how the trajectory of her life is sensuously infused by family, faith and love.

Maybe after you whip up some Turkey Tetrazzini and Pumpkin Pie Gelato from your Thanksgiving leftovers, you'll be inspired to crack the cover on a book penned by a "pilgrim" of Italian-American descent. 

Note: This article is a reprint and is being posted with the permission of Shelf Awareness. To read this piece as published on Shelf Awareness for Readers (11/18/14), link HERE 

Selling a Camera, Assessing a Life

Opinion:  Bringing the relationship with my camera into focus

"It's not what you look at...it's what you see"

Friday, August 1, 2014

Opinion/Editorial: "Other Views" (Section A-19)

BY KATHLEEN GERARD

To read the article in its entirety, click on the highlighted title above

Cristina Mittermeier: Images That Matter

The Artist's and Writer's Life

Cristina Mittermeier believes that the range of her experiences--growing up in Mexico, working as a marine biologist and biochemical engineer, raising children, writing, traveling the world, a career in conservation--all serve to enrich her photography. She says her path to the craft was "a happy accident" that has allowed her better to communicate all her "concerns, passions and hope for a better planet."

In Sublime Nature: Photographs That Awe and Inspire (see the review below), Mittermeier has collected photographs from around the world, images captured by a diverse selection of renowned nature and wildlife photographers. As founder and former president of the International League of Conservation Photographers and one of Sony's Artisans of Imagery (2008), she believes that photography can cross barriers, cultures and languages. She ardently advocates for its use as a means to encourage others to protect and preserve the beauty and natural resources of our planet.

You've spent the past 20 years focused on earthly conservation. Where does that passion come from?

I suppose it is self-preservation. Our planet's natural resources are the foundation of our livelihoods and conserving them is the only way to ensure a continued quality of life for all. Setting aside areas for protection and building boundaries that protect species and landscapes are the best tools we have. Photography informs and encourages both.

What inspired the four themes/sections of Sublime Nature: Awe, Grace, Joy, Peace?

For me, there is nothing more sublime than nature. The themes of the book evolved as I read the writings of the great philosopher Immanuel Kant, who, in 1764, made an attempt to record his thoughts on the mental state of an observer of nature in Observations on the Feeling of the Beautiful and Sublime. He held that the sublime was of three kinds: the noble, the splendid and the terrifying. These aspects gave base to the themes as the National Geographic team and I collaborated. We selected four great emotions of the human spirit as elicited by nature: hope, awe, joy and peace. We assigned a color to each emotion and then we set out to find images that fell into our themes and our color scheme in order to create a visual journey.

How did you choose which photographs to showcase in the book? What do you feel constitutes a truly great photograph?

When I look at an image, I always pose a question to myself: What happens to the character in the picture, be it a person or a bear, when nature and humanity collide? I want images to leave a door open for the viewer to articulate an answer. In the search for images for Sublime Nature, I further wondered: If I could visit that world (the image in a photograph) and be held there in its arms, could this image help me invite others inside, so that maybe they, too, could be held there? I wanted the photographs included in this book to beckon and inspire others the same way they have affected me.

In conservation photography, a great image is one that can tell a story. I am interested in images that better capture the full, complex reality of human beings and our surrounding universe.

In the end, the best images are a marriage of beautiful art, conservation substance and science. They often become iconic, and they always become a part of our collective psyche informing society about our natural world. The best images are a two-way street between me, the viewer and the rest of the world.

A late afternoon bath turns into a joyful water fight in the waters of the Iriri River, Brazil. (photo: Cristina Mittermeier)

Have innovations in photography changed your craft?

Innovations (like better sensors, faster frame rates, smarter cameras) can only help photographers become more effective. But the hard work of understanding our universe and aiming our cameras at subjects that really matter will not change with technology.

Which is your photographic medium of choice--digital or film?

I love digital. I did my time on film, and I cannot think of a single reason to ever shoot it again. It is the photographer, not the camera, not the film, that makes the picture.

How do you think images such as those in Sublime Nature can save the environment, animals and landscapes?

I hope that, at the end of my career, people know I made and presented images that mattered. Photographs, especially when they are iconic, make us pause, reflect and internalize information in a way like no other medium. Images require no translation, and photography has the power to inform, encourage and inspire the protection of our planet's natural and cultural treasures. --Kathleen Gerard, blogger at Reading Between the Lines

Note: This interview is a reprint and is being posted with the permission of Shelf Awareness. To read this Q&A on Shelf Awareness: Reader's Edition (3/28/14), click HERE

Sublime Nature: Photographs That Awe & Inspire

Sublime Nature is the first volume in a new series from the National Geographic Society seeking to publish books that confirm a commitment to "the conservation of our extraordinary planet's natural resources." In this first installment, Cristina Mittermeier, a marine biologist turned photographer, has assembled a breathtaking collection of stunning images from an array of wildlife and environmental photographers who capture the beauty of nature in a way she hopes will "awaken broad-based social consciousness."

The book is divided into four parts: Awe, Grace, Joy and Peace. Each section begins with a brief poetic, personal introduction by Mittermeier. Along the way, inspirational quotes from renowned writers, naturalists, scientists and artists serve the four themes. The accompanying 100-plus scenic images from various locales range from landscapes, wildlife, flowers, waterways, local natives and natural wonders of the world. There are penguins atop dramatic icebergs in Antarctica, striking waves of sand on arid Moroccan dunes, a fisherman casting his line into a coral inlet in Indonesia, a graceful ballet of bottlenose dolphins in Peru and a dusky gloom trapped amid rocky chambers in Arizona.

Mittermeier is committed and passionate in her belief that photography can influence the fate of nature. The visuals she has selected are lively and thought-provoking in subject matter—brilliant compositions bursting with vivid color and light. The impact of the photographs paired with profound words is bound to encourage others to find meaning, appreciation and a greater respect for a vulnerable planet facing continued wildlife extinction, climate change and diminishing natural resources.

Sublime Nature: Photographs That Awe and Inspire by Cristina Mittermeier

National Geographic Society,  $35.00 hardcover, 9781426213014 , 224 pp

Publication Date: March 25, 2014

To order this book via INDIEBOUND link HERE

Note: This review is a reprint and is being posted (in a slightly different form) with the permission of Shelf Awareness. To read this review on Shelf Awareness: Reader's Edition (3/28/14), click HERE

Eight Girls Taking Pictures

In Eight Girls Taking Pictures, Whitney Otto has woven a well-crafted tapestry of vibrant, moving, historically based short stories about women ahead of their time and how the complexities of their lives enabled them to make distinct and wholly original contributions to the world of photography.

The stories span from 1910 through the 1990s and are set in locales from the United States to Europe and South America. Each story features a richly textured character and explores how specific facets of a woman's life can influence her vision, craft and ambition.

The Author's Note indicates that these stories were inspired by Otto's (How to Make an American Quilt) affinity for the work of six real women photographers from around the world:  Imogen Cunningham, Madame Yevonde, Tina Modotti, Lee Miller, Grete Stern, and Ruth Orkin.  Two additional stories are purely a product of the author's imagination, though one can make inferences to other noted female photographers.  What Otto has done--with great skill and care--is craft a collage of stories using a factual basis of reality as a launch pad to creatively explore, via fiction, the undocumented parts of each woman's life and career.

Photography is all about perception, seeing the world through a unique vantage point. These stories evolve in a similar fashion, as they seek to reveal and understand how these women pursued their passion for photography through adversity, motherhood and the challenges of love and romantic relationships.  The stories all share photography as a common thread and the medium is explored via aspects of photochemistry, black-and-white versus color, photojournalism/war, botanical, nudes, still life, advertising/fashion, travel and photographing everyday domesticity. But a deeper thread that emerges is the male influence on each of these women's lives, in particular the often complicated relationships between fathers and daughters. Many of the fathers of these photographers were progressive for their time, and it was that paternal bond and influence (however positive or negative) that encouraged these women to seriously pursue photography as a means of self-expression and ultimately, a fine art form.   

 

You don't need to be a photographer or to be familiar with some of the most prominent female image-makers of the 20th Century to appreciate and admire Eight Girls Taking Pictures. But once you finish reading this well-rendered collection, you'll more than likely be inspired to learn more. 

Eight Girls Taking Pictures by Whitney Otto

Scribner,  $25.00, Hardcover, 9781451682694, 352 pp

Publication Date: November 6,  2012

To order this book via INDIEBOUND link HERE