A Better Ending

A compulsively readable true crime story about a brother’s research into the mysterious life and death of his sister who supposedly killed herself in 1974.

With shrewd and calculating investigative skill, first time author, James Whitfield Thomson intimately explores the tragic, sudden death of his sister and how her death impacted the fate of his family and his own life in his spellbinding memoir, A Better Ending. 

Thomson’s sister Eileen, the youngest of three siblings, was 15 months younger than the author. She was always “bright and bubbly.” However, in 1974, 27-year-old, married and childless Eileen, shot herself—what was deemed a self-inflicted firearm wound to her heart. Her husband, Vic, her high school sweetheart--a policeman in San Bernardino, Calif.--was home at the time of the shooting. Due to the shattering nature of the family’s catatonic-like grief, and the fact that Vic was a police officer and his mother was also “the best friend” (of Thomson’s mother, the family took, as gospel, Vic’s version of events and official police statements regarding Eileen’s deemed suicide.

 

Decades later, after his parents and his only remaining sibling, a brother, had all died, Thomson felt supernaturally compelled to revisit Eileen’s death. (Thomson, an aspiring writer, initially set out to fictionalize Eileen’s story. But while digging for details, he unearthed unsettling discrepancies in the official narrative. Thomson decided to hire a private detective and chose to write Eileen’s story from his own personal perspective.

 

Eileen was rarely spoken of after her death, as the Thomson family was overwhelmed with sadness and guilt for not “having saved” her. But Eileen’s presence becomes palpable again when Thomson and the private investigator evaluate police and ballistic reports, cull witness testimonies, and interview relatives, friends, and coworkers of Eileen’s to gain more insight. Over the course of many years, Thomson unearths harrowing, conflicting details that reveal questionable gaps in the official story and “choppy, slipshod and misdirected” evidence collection and police reporting. All of this calls into question the actual nature of Eileen’s death while raising suspicions about Vic. Thomson’s labyrinthine quest to find the truth eerily coalesces in 2005, when he has a sit-down meeting with his now estranged, thrice-married brother-in-law.

 

Thomson’s meticulously recreated timeline perfects an emotionally intensifying chronology that probes a dark, suspenseful--chillingly sad--story. In the end, the arduous path that Thomson travels to unravel the mystery of his sister’s life and ineffable death urges him toward enlightenment, acceptance, and healing.

 

A Better Ending: A Brother’s Twenty-Year Quest to Uncover the Truth About His Sister’s Death by James Whitfield Thomson

Avid Reader Press/Simon and Schuster, $28.99 hardcover, 304 pages, 9781668062869

Publishing Date: March 25, 2025

Purchase this title on Bookshop.org

 

A condensed version of this review was published on Shelf Awareness (March 28, 2025). Link HERE to read that review.

 

What the Dead Know

A dedicated medical examiner from the City of New York shares fascinating, soul-searching stories that came to define her career—and her life. 

Barbara Butcher is one tough lady. Only the second woman ever appointed to serve as a death investigator in Manhattan, she helped solve crimes that could’ve calloused and darkened her heart many times over. However, in her fascinating, down to earth memoir, What the Dead Know, she tells riveting personal stories about investigating homicides, suicides, and tragic accidents that moved and changed her life in extraordinary ways.

 

Butcher came to the profession through a series of unexpected, fortunate events. A teen who suffered from depression and suicidal impulses--and experimented with drugs--she struggled for direction after high school. A woman she worked for at a nursing home took note of Butcher’s potential and encouraged her to become a physician assistant. College coursework on anatomy, physiology, chemistry, pathology, and solving diagnosis puzzles lit a fire under Butcher’s ambitions. She did work stints in surgery and gynecology, and went on to earn a master’s degree in public health. Just as Butcher was en route to a cushy but boring career as a hospital administrator, her personal life unraveled. After she hit rock bottom, she found Alcoholics Anonymous and some career counseling. Butcher was deemed best suited for a career as a coroner.

 

Inquisitive readers--especially fans of mysteries and true crime--will be captivated by Butcher’s appealing, conversational writing style. She presents a trove of detailed, sobering case studies of how notorious investigations--including a chilling section about her work during 9-11--often wore her down while also expanding her skill set and intellect, enriching the depths of her character. 

 

What the Dead Know: Learning About Life as a New York City Death Investigator by Barbara Butcher

Simon and Schuster, $26.99 hardcover, 288 pages, 9781982179380

Publishing Date: June 20, 2023

 

To order this book on INDIEBOUND/Bookshop.Org, link HERE

 

NOTE: This review is a reprint and is being posted (in a slightly different from) with the permission of Shelf Awareness. To read this review as published on Shelf Awareness for the Book Trade (May 11, 2023), link HERE

A shortened version of this same review was published on Shelf Awareness for Readers (June 23, 2023). Link HERE to read that review.

The Locked Room

A police investigation during the Covid-19 pandemic--a quest to solve a series of stymying suicides--unearths the past and puts a noted forensic archaeologist and her 11-year-old daughter in grave danger.

Dr. Ruth Galloway is a (fictional) forensic archaeologist--a smart, captivating British heroine created by author Elly Griffiths--who always finds herself embroiled in murder and mystery.

Over the course of 13 novels, this bright, British amateur sleuth and college professor has dealt with discoveries such as child remains (The Crossing Places), unidentified corpses from WWII (The House at Sea’s End) and secret underground tunnels (The Chalk Pit) ... among other life and death dilemmas. She’s traveled to Italy (The Dark Angel) and despite being an avowed atheist, she’s even dealt with aspects of religion (The Woman in Blue). Readers have grown along with Ruth Galloway, seeing her through life changes and challenges that have included romance, motherhood, grief and loss. It’s most fitting, then, that Griffiths has set her latest Ruth Galloway mystery, The Locked Room, (the 14th in the series) during the early days of the Coronavirus pandemic. 

 

Just as Covid-19 is about to turn the entire world upside-down, Ruth and her 11-year-old daughter, Kate, are suddenly forced into lockdown at Ruth’s old childhood home, a cottage in Norfolk, where Ruth had been trying to tie up unresolved fragments from her late mother’s life. Forced into isolation, mother and daughter are befriended (at a safe distance) by a seemingly kind, nurse neighbor, Zoe, a frontline worker. In the midst of them all sheltering in place, Ruth’s on-again, off-again love interest, DCI Harry Nelson (and his team) enlists Ruth’s help in trying to solve clues from a decades-long investigation of stymying suicides by local women. Amidst the investigation--and limitations imposed by the lockdown--clues from the past, including prior ties to an old pandemic and spooky folklore, weave their way into dark danger that ultimately puts Ruth, Kate--and Zoe, a woman who might not be all she appears to be--deep into hot water.

 

A cast of recurrent, familiar characters and their dramatic personal dilemmas--along with chillingly authentic details of pandemics, past and present--add to the suspense of Griffiths' well-conceived, brilliantly executed cozy that delivers a shocking plot twist.

 

The Locked Room: A Ruth Galloway Mystery Series (Book 14) by Elly Griffiths

Mariner Books, $18.99 paperback, 9780358671398, 384 pages

Publication Date: June 28, 2022

To order this book on INDIEBOUND, link HERE

 

The Perfect Other: A Memoir of My Sister

A hauntingly reflective memoir details the intricacies of mental illness and the bonds of sisterly love and loyalty in this life--and beyond.

Deep, everlasting love, grief and the mysteries of mental illness are undercurrents that propel The Perfect Other, a chilling, moving memoir by Kyleigh Leddy. A graduate of Boston College now in pursuit of her master's in social work, Leddy grapples with the life and loss of her older sister, Kait, a young woman affected by schizophrenia.

 

Leddy has spent a large part of her young life grappling with the sudden and unexplained disappearance of her 22-year-old sister, Kait, last seen on a frigid January night in 2014. Security cameras show that her older sister took a taxi to the foot of the Benjamin Franklin Bridge in Philadelphia, Pa., ascended to the highest point and then disappeared. It is believed she jumped; however, her body was never recovered. Thus, her whereabouts remains a mystery--one that haunts Leddy and sets her on a course to make sense of the shocking tragedy, both personally and through a more psychologically clinical lens.

 

Through a sensitively drawn, stream-of-conscious narrative--spurred by a "Modern Love" column Leddy published in the New York Times--she stitches together remembered fragments and pivotal scenes from the life she, her mother and father shared with Kait. After sustaining a head injury, Kait started to exhibit concerning erratic behaviors that took inexplicable, unruly--often violent--turns. Leddy's raw search for understanding, meaning and peace grants readers a rare personal glimpse into the universal mysteries of mental illness and the long-lasting traumatic effects it has on those afflicted, as well as those in its orbit.

 

The Perfect Other: A Memoir by Kyleigh Leddy

Mariner Books, $28.99 hardcover, 9780358469346, 304 pages

Publication Date: March 8, 2021

To order this book on INDIEBOUND, link HERE

 

NOTE: This review is a reprint and is being posted with the permission of Shelf Awareness. To read this review on Shelf Awareness: Reader's Edition (March 8, 2022), link HERE

To read the longer form of this review as published on Shelf Awareness for the Book Trade (January 7, 2022), link HERE

Anxious People

This clever, dark comedy about human nature and relationships starts with a real estate open house that goes dreadfully awry when a bumbling bank robber shows up.

 Swedish author Fredrik Backman has entertained readers worldwide, drawing them into fictional realms with ordinary people facing the absurdities of life and death. In Anxious People, he mines similar terrain, cleverly assembling an ensemble cast of characters, some of them utterly exasperating. He sets them in a darkly comic predicament that will challenge them as a group and personally, opening the story to larger themes about the foibles, pitfalls and traps of living.

 

Backman's construct is straightforward: an open-house apartment viewing. What could possibly go wrong? Everything, especially when a gun-wielding bank robber targets a cashless bank and winds up, through a series of mishaps, at the open house. In bumbling, snowballing desperation, the robber takes eight people, high-maintenance strangers at the viewing, hostage. When the robber ultimately escapes, two police officers--a father and son facing personal struggles of their own--investigate the crime and try to make sense of the who, how and why of this topsy-turvy, totally-gone-awry robbery scenario and all involved.

 

Backman (Us Against You) skillfully employs an omniscient narrative voice and short, focused chapters that unwind an intricate plot through interspersed--extremely telling and very funny--police interrogation scenes. Readers are kept off-balance by details of the hostage siege as characters reveal their personal dilemmas. This intensifies the narrative tension and drama, upping the literal and figurative anxiousness of the book's title. Backman's signature storytelling wit and wisdom--the way he unravels his puzzle while peeling back layers of complex relationships, personal burdens and secrets carried by all--enables this fresh, quirky, over-the-top comedy to coalesce into poignant profundity.

Anxious People by Fredrik Backman

Atria, $28.00 Hardcover, 9781501160837, 352 pages

Publication Date: September 29, 2020

To order this book on INDIEBOUND, link HERE

 

NOTE: This review is a reprint and is being posted with the permission of Shelf Awareness. To read this review on Shelf Awareness: Reader's Edition (September 8, 2020), link HERE

 

To read the longer form of this review as published on Shelf Awareness for the Book Trade (August 14, 2020), link HERE

Sigrid Nunez: A Love Letter

The Writers Life

Photo by Marion Ettinger

Sigrid Nunez is the author of seven books and many short stories and essays, and she teaches writing. She's received a Whiting Award, the Rome Prize in Literature and a Berlin Prize fellowship. In Sempre Susan, Nunez wrote a revealing memoir about Susan Sontag, an American writer, filmmaker, teacher and political activist who played a significant role in Nunez's personal and professional life. In her new novel, The Friend (see my review below), Nunez explores the bond between a grief-stricken woman and a dog she reluctantly agrees to foster after the death of her mentor and friend.

Suicide, writing and dogs form the basis of this novel.

Yes, in recent years I happened to learn that a number of people I knew had been obsessing about suicide. Not that they were actually planning to do it, but it seemed to be always on their minds. And in fact, very sadly, one of those people has since taken his own life. So that was one very important thread. Another thread was my work as a writing teacher and the idea of literary mentorship. And then I've always been interested in human-animal companionship. I saw a way to explore all these subjects in one novel.

Did you know from the start that a dog--Apollo--would be the cornerstone of The Friend?

I can't remember exactly at what point Apollo became such an important part of the story, but he's based on dogs I've known in real life.

What's been your experience with dogs?

I've always loved dogs. It was one of the great "unhappinesses" of my childhood that we lived in a place where no dogs were allowed. Later, around the time I went to college, my family had a Great Dane, and I had a dog whose sire was a Great Dane when I was in my 20s.

Is your history with Great Danes why you chose to create Apollo as a Harlequin Great Dane in the novel?

I was drawn to the idea of an exceptionally large and visually striking animal.

Many of your novels are written in a very intimate, first-person point of view. Do you find it easier, more accessible, to write in this voice?

It's not really a question of what's easier or more accessible but rather which point of view best suits a particular story. In The Friend, for example, from the beginning I knew I wanted an intimate, first-person voice. To be more precise, I wanted the narrative to sound like a letter, and not just any letter but a love letter. That was the tone I was going for: intimate, hushed, urgent. 

An unnamed speaker narrates The Friend. And many other characters are also unnamed. Why?

To name or not to name a fictional character isn't a choice that I make beforehand. It's something intuitive that comes with the writing. In writing The Friend, any time I thought about inventing a name for a human character it struck a false note, and I was immediately compelled to get rid of it.

The Friend is rooted in the challenges of a writer's life. There's a quote in the book: "Some would say that, after all, the one sure way for an artist to know his work had failed was if everyone 'got' it." What's your feeling about this idea?

I would say that if everyone likes and approves of a certain work, it can't be very interesting. Oscar Wilde was right: "Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself."

How did writing The Friend differ from writing Sempre Susan?

In many ways, writing the memoir was easier than writing the novel for the simple reason that I didn't have to invent anything. I already had the story and the characters. But in other ways the process was much the same: a struggle to find the right words and the right order of words to make the narrative as effective as possible.

Your novels are unified by themes of death and grief and an inherent lack of understanding between people, yet a sincere need for protagonists to try to understand people and circumstances anyway. What draws you to these ideas and why?

These are some of the most important aspects of human experience, matters that touch us all. It seems to me only natural that this would be the material a novelist would want to grapple with and that people would want to read about.

If you could not be a writer and/or teacher of writing, what career path would you choose?

This is something I touch on in The Friend. My love for animals has always been very strong. I love all animals and am fascinated by animal behavior. I may very well have missed my true calling. I often wish I had pursued some career that had to do with the study, care or training of animals. I think I would have found much fulfillment in such work.

What can readers expect from you next?

I'm about 50 pages into a new novel, which has a narrative voice very similar to that of The Friend.

Will the new novel include another dog?

No. No animals this time--at least, not yet.

This interview is a reprint and is being posted with the permission of Shelf Awareness. To read this Q&A on Shelf Awareness for Readers (2/2/18), link HERE