Paris is Always a Good Idea

 

A fun, adventurous story about a 30-something workaholic who takes a sabbatical to rekindle a happier, romance-filled time in her life. 

Prolific author Jenn McKinlay (Buried to the Brim) departs from her long-running series and delivers a fun, feel-good, stand-alone novel that will delight readers. Paris Is Always a Good Idea, a bittersweet story, focuses on a disillusioned woman in her 30s who sets off on an exciting worldwide adventure.

 

After college, Chelsea Martin goes through seven years of struggle. Her beloved mother dies, and grief-stricken Chelsea buries herself in work, becoming a corporate fund-raising star for a prominent cancer coalition in Boston. When her "buttoned-down" mathematician father, a widower, proposes to a woman he's known for only two weeks, Chelsea suddenly takes stock of her own life, wondering why she isn't happy or in a fulfilling romantic relationship of her own.

 

Chelsea decides, on a lark, to return to a time in her life when she believed she was happy and carefree--full of love and joy, hope and promise. Taking a much-needed sabbatical from her successful career, she winds her way through Europe to try to recapture the spirit of the woman she once was--retracing a route she traveled after college. She seeks out and revisits old flames, starting in a quaint, small town in Ireland; returning to the glittering lights of romantic Paris; then on to a vineyard tucked into the rolling hills of Tuscany. By reuniting with lovable old beaus in the hope of rekindling romance in each picturesque locale, Chelsea learns much about herself and what she truly wants from life.

 

Readers will savor the feisty, adventurous journey of McKinlay's self-deprecating protagonist as she re-examines her past in order to chart her future.

Paris is Always a Good Idea: A Novel by Jenn McKinlay

Berkley, $16.00 Paperback, 9780593101353, 352 pages

Publication Date: July 21, 2020

To order this book on INDIEBOUND, link HERE

 

NOTE: This review is a reprint and is being posted with the permission of Shelf Awareness. To read this review on Shelf Awareness: Reader's Edition (July 24, 2020), link HERE

 

To read the longer form of this review as published on Shelf Awareness for the Book Trade (June 26, 2020), link HERE

Tuesday Mooney Talks to Ghosts

A treasure hunt through Boston for the fortune of a deceased billionaire inspires a quirky researcher to join forces with a cast of lovable misfits.

Tuesday Mooney is a single, 30-something loner--a dedicated prospect researcher for Boston General Hospital. There she gathers facts and tracks "digital fingerprints" on rich people in the hope that they will donate their fortunes. Tuesday volunteers to help at a benefit auction and invites along her former coworker and friend Poindexter "Dex" Howard--a financier suffering romantic woes with his younger beau. Both friends get swept up in a night of surprises, including meeting Vincent A. Pryce (an eccentric, cape-wearing, elderly billionaire and collector of Edgar Allan Poe memorabilia) and handsome Nathaniel Arches, an eligible, however notorious, bachelor. Tuesday is drawn to Nathaniel, especially after he makes a whopping $50,000 bid for a meet-and-greet with New Kids, a pop band.

When Vincent Pryce drops dead of an aneurysm at the auction, his obituary launches a treasure hunt through the city of Boston. Whoever can read between the lines of the obit and pursue the cryptic clues set forth will inherit a portion of his wealth. Tuesday--an inquisitive, "human Google"--charges headlong into the quest. But she's not alone: Dex, Nathaniel, Dorothea "Dorry" Bones (Tuesday's precocious 14-year-old, motherless neighbor), a lingering ghost from a sad chapter in Tuesday's adolescence, and a host of competing--often dark, duplicitous--forces are hell-bent on getting to the finish line first.

Kate Racculia (Bellweather Rhapsody) displays an abundance of intellect and imagination in this clever, immensely adventurous story that pays homage to the elaborate mysteries of life and death--and self-discovery.

Tuesday Mooney Talks to Ghosts: A Novel by Kate Racculia

Houghton Mifflin Harcourt, $26.00 Hardcover, 9780358023937, 368 pages

Publication Date: October 8, 2019

To order this book on INDIEBOUND, link HERE

NOTE: This review is a reprint and is being posted with the permission of Shelf Awareness. To read this review on Shelf Awareness: Reader's Edition (October 15, 2019), link HERE

Matt Haig: History in the Mix

The Writer's Life

Matt Haig is the author of five novels, several award-winning children's books and the memoir Reasons to Stay Alive, which is an account of Haig's battle with depression and how he overcame it with the help of reading, and writing, and the support of his family. In How to StopTime (Viking, $26), Haig tells an imaginative, adventurous story about a man who has lived for centuries and his journey to reconcile his past and present in order to face the future. The novel dips into 500 years worth of history and is being made into a movie starring Benedict Cumberbatch. My review is below.

How did this novel take root?

I had the idea brewing for a long time. Nearly a decade. But it wasn't fully there. I had the voice of someone impossibly old, but I didn't have a story. Then I saw a painting of Omai in the National Portrait Gallery in London. Omai was the Pacific Islander brought to England after Captain Cook's second voyage and prized as an exotic oddity. It got my mind ticking and--even though Omai isn't the main character--he was the starting point.

How to Stop Time straddles genres of fantasy, romance, adventure and comedy. Was this intentional?

I have no idea. But it made the writing of it more fun. I love mixing things up. It just feels more natural to me than to compartmentalize the imagination like that.

The protagonist of the novel is 439 years old yet appears to be a 41-year-old man. Why did you choose these two specific ages?

Well, I was 41 when I created Tom Hazard, the protagonist. So I suppose that was the reason. As for 439 years, I wanted Tom to live within a realistic timeframe for a creature to live. There are clams that can live to 500. And Greenland sharks can live to be 1,000. So 439 began to feel almost realistic.

What was most fulfilling in writing this novel?

The amount of research I had to do was simultaneously the most fulfilling and the most challenging aspect. It was like researching 12 different historical novels in one. But I love social history. I love learning about, for instance, how ale was considered healthier than water for children to drink in Shakespearean times. (In fairness, it was.)

Tom Hazard shares life-changing experiences with notables such as William Shakespeare, Captain Cook and F. Scott Fitzgerald--to name a few. I wanted to mix the very famous with the less well known--such as Omai and the real-life Dr. Jonathan Hutchinson--because I loved the challenge of making people who have become legends into real, living people... with halitosis, in Shakespeare's case.

If you could live in another time, when would it be and why?

To be totally honest, I would like to go back into my own past in order to give myself some life advice before I fell into depression and anxiety disorder in my 20s. Also: ancient Greece, to have a chat with Plato and drink some wine.

Philosophical ideas of time are central to the novel. And there's a quote in the book, "The past resides inside the present, repeating, hiccupping...."

Yes, I think we are repeating the mistake of dehumanizing people. People not like us. I think we are dangerously losing faith in the idea of central unifying narratives. The collective experience of a shared life in a shared society is falling apart. I think social media is sending us back to an age before the mass circulation of the old media, where truth was whatever you wanted to hear, whatever your neighbors whispered to you. It is terrifying if you think about it. But there are signs of hope and progress, too. We are alert to injustices in ways we never were before.

What did you learn about yourself in writing the novel?

That writing can be fun. I had been forgetting that for a few years.

What will readers take away from reading How to Stop Time?

I hope, primarily, readers will be entertained. I don't think there should be any shame in entertainment. I suppose my point in writing the novel was to make people, including me, appreciate life and the nature of our brief and wonderful time here.

Time, loss, death, the surmounting of tragedies--and characters who feel like outsiders--recur in much of your work.

I try to write books that can comfort by showing hardship and the overcoming of that hardship.... I think fiction can be nourishing. I think it can help us cope with life.

Your books, while dealing with dark themes, are often leavened with hope and playfulness. From where do you draw your sense of optimism?

Strangely, I think it comes from depression and anxiety. My experience of those things made me more optimistic. Optimism--hard earned--became essential. It kept me alive. Optimism is very often a product of pain, I think.

If readers are unfamiliar with your work, what book should they read first?

After How to Stop Time, either The Humans or Reasons to Stay Alive. Stay away from The Possession of Mr. Cave--I was in a dark mood when I wrote it.

After writing so many books, how do you maintain enthusiasm for the craft?

I try to keep things new--switch genres, write for children sometimes, or for film or nonfiction. I try to make every book feel like it is a first book.

This interview is a reprint and is being posted with the permission of Shelf Awareness. To read this Q&A on Shelf Awareness for Readers (February 23, 2018), link HERE 

Author Photo by Ken Lailey