The Writer's Life
Jill Fordyce: The Undoing of Aloneness
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| (photo: Nathan Westerfield) | |
Jill Fordyce was born and raised in Bakersfield, Calif. She received a degree in English from the University of Southern California, and a law degree from Santa Clara University. While practicing law, she continued to study writing through the Stanford Continuing Education creative writing program. Her first novel, Belonging (Post Hill Press, January 30, 2024), traces the relationships and generational influences that impact the life of one woman over the course of 40 years. (See the review below)
Why write a coming-of-age story?
I have always been moved by stories that chronicle of young love, lifelong friendships, hometowns, music, and the hold the past often has over the present. And when I think of important times of youth, for me they are set against the backdrop of the Central Valley of California.
That accounts for the Bakersfield setting.
Initially, I thought of setting the novel in a fictional town, but every time I traveled back to Bakersfield, I felt such a unique type of inspiration, and I knew I had to write about it. I think we write what we know, what we can see--particularly with a first novel. The setting is so important, and Bakersfield is a place I know personally, so it made sense to put Jenny (the main character) there.
Themes of "hometown" are central to the story.
While some inspiration may come from what the notion of "hometown" evokes for everyone, some of it feels very specific to Bakersfield and Central California--the music, the food, the tree-lined streets and flat horizon, the warmth and the fog, the families who have known each other for generations.
Yes, the importance and influence of family--both birth and created families--is threaded throughout, as are themes of life and death, and a reliance on spiritual faith.
Family to me is a place of home and belonging. And belonging is fundamentally about the undoing of aloneness, which is a primary need for everyone. As I came to understand Jenny more deeply, I could see that her faith--Catholic faith instilled by her extended family--was central to her life. The comfort she derived from those spiritual influences was critical to her survival as a child, as she undergoes illness, isolation, and experiences death for the first time. Jenny comes to believe that to "love forever is to live forever." If she didn't have a spiritual grounding and hold such belief, I don't know if she would have had the fortitude and resilience that she does. She knows she's not doing it all alone.
The book offers an ensemble cast. Yet, you tell the story solely through the perspective of a sensitive woman whose life is traced over decades.
All of the characters exist relative to Jenny, and I wanted to convey her experience of growing up in an intimate and realistic way--especially in a home with an alcoholic mother. I wanted to show those things that a young girl would rely on when her home life is so tumultuous: friends, extended family, faith, music. Finally, I wanted to understand how she would emerge from it and create the life that she longed for--and those things are possible primarily due to the large circle of loved ones around her.
The enduring battle of alcoholism figures prominently.
I don't know the percentage of families affected by alcoholism, but I suspect it is very high. Jenny learns that you can love and forgive an alcoholic on your own yet, also, step away and live your own life. Even if the alcoholic is never better, is never able to see her way out of the disease, the people around her can find grace and peace, both for themselves and the alcoholic. I think adult children of alcoholics have a unique burden when trying to find trusting love relationships and, in exploring Jenny's relationships, I try to show how some of those difficulties can be overcome.
How difficult was it to tell this story?
The most fulfilling part was experiencing the story as it unfolded, when it wasn't struggle or effort, when storylines emerged without conscious thought. That felt like magic. However, Belonging took me over 10 years to conceive of, write, and market. I embarked on many rewrites. When I first sat down to write, the only concrete idea I really had was the notion of the bonds of childhood friendship that light the way throughout life, across time and distance--and even death.
The book spans from 1977 to 2017. Why that timeline?
I love a complete and full story--of seeing characters as children and then as young adults on their own in the world... and then in middle age, in a place where they can look back. The seeds of early relationships are so important. I always want to know, if characters are in love, why are they in love? If characters are best friends, why are they best friends? I tried to show readers the strength--and lasting impact--of childhood bonds, what they bring out in people.
Detailed flourishes and nostalgia are embedded throughout the novel. How much research was necessary?
I researched the climate and geography of Bakersfield and the surrounding area: why there is fog, why the river was dry, the origin of the Grapevine, the ramifications of valley fever, a fungal disease. I delved into the history of Bakersfield and the Bakersfield Sound. I spent time in antique stores and looked at religious prayer cards. I rewatched films that inspired me. I listened to many old songs and made sure they were chronologically correct. I re-read both Our Town (Thornton Wilder) and The Greatest Thing in the World (Henry Drummond) several times. I spoke with a hospice nurse about end-of-life care. I spent hours researching the Vietnam War. But there were moments, too, when no research was necessary--gifts were just presented to me.
Belonging is certainly a gift to readers! Any plans for a second novel?
Yes, I am so excited to be working on another coming-of-age love story and family story, this time set in rural Tennessee.
